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Hecht, Ben, 1894-1964

"A Thousand and One Afternoons in Chicago"

" And who will say that critics have
lost their sense of humor. There will unquestionably be laughter before
this morning is over.
* * * * *
Music like this has never come from the orchestra pit of the Auditorium.
Strange combinations of sounds that seem to come from street pianos, New
Year's eve horns, harmonicas and old-fashioned musical beer steins that
play when you lift them up. Mr. Prokofieff waves his shirt-sleeved arms
and the sounds increase.
There is nothing difficult about this music--that is, unless you are
unfortunate enough to be a music critic. But to the untutored ear there is
a charming capriciousness about the sounds from the orchestra. Cadenzas
pirouette in the treble. Largos toboggan in the bass. It sounds like the
picture of a crazy Christmas tree drawn by a happy child. Which is a most
peculiar way for music to sound.
But, attention! The curtain is up. Bottle greens and fantastic reds. Here
is a scene as if the music Mr. Prokofieff were waving out of the orchestra
had come to life. Lines that look like the music sounds. Colors that
embrace one another in tender dissonances. Yes, like that.
And here, galubcheck (I think it's galubcheck), are the actors.


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