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THE BIJOU
Is very properly entitled "An Annual of Literature and _the Arts_,"
since considerably more attention seems to have been paid to the
Illustrations than to their accompaniments. Few of the prose or verse
pieces present much novelty of matter or manner; but the following will,
perhaps, be esteemed a curiosity:--
PORTRAIT OF UGO FOSCOLO.
(_From the Italian_,) _by Himself_.
A furrow'd brow, intent and deep sunk eyes,
Fair hair, lean cheeks, are mine, and aspect bold;
The proud quick lip, where seldom smiles arise,
Bent head and fine form'd neck, breast rough and cold,
Limbs well compos'd; simple in dress, yet choice:
Swift or to move, act, think, or thoughts unfold;
Temperate, firm, kind, unus'd to flattering lies,
Adverse to th' world, adverse to me of old.
Oftimes alone and mournful. Evermore
Most pensive--all unmov'd by hope or fear:
By shame made timid, and by anger brave--
My subtle reason speaks; but, ah! I rave,
'Twixt vice and virtue, hardly know to steer
Death may for me have FAME and rest in store.
There is an abundance of Sonnets and short pieces which would dovetail
in our columns, were we tempted by their merit to extract them; but, in
place of enumerating them, we notice the Engravings, some of which are
excellent specimens of art. Among these is a Portrait of THE KING, by
Ensom, from a painting by Sir Thomas Lawrence, in the collection of Sir
William Knighton, Bart.
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