In the introduction to Dryden's
_Amphitryon_ he says: "Plautus ... left us a play on the subject of
Amphitryon which has _had the honour_ to be deemed worthy of imitation by
Moliere and Dryden. It cannot be expected that the plain, blunt and
inartificial style of so rude an age should bear any comparison with that
of the authors who enjoyed the highest advantages of the polished times to
which they were an ornament." There speaks the sophisticated and conscious
literary technician![42]
[Sidenote: LeGrand] The most comprehensive and judicious estimate of all
is certainly attained by LeGrand in _Daos_.[43] He appreciates clearly
that "la nouvelle comedie n'a pas ete, en toute circonstance stance, une
comedie distinguee. Elle n'a pas dedaigne constamment la farce et le gros
rire."[44] How much more then would this apply to _palliatae_!
We now believe that we have on hand a sufficiently large volume of
criticism to appreciate practically every phase of judgment to which
Plautus has been subjected.[45] The ancients overrated him stylistically,
but he was a man of their own people. Men such as Becker, Weise, Lorenz
and Langrehr have proceeded upon a distinctly exaggerated ideal of
Plautus' eminence as a master dramatic craftsman and literary artist and
therefore have amputated with the cry of "Spurious!" everything that
offends their ideal. Lessing is obsessed with too high an estimate of the
_Captivi_.
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