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?©, Wilton Wallace, 1884-1949

"The Dramatic Values in Plautus"

_ 930 ff.),
and the loud "boo-hoo" to which Philocomasium gives vent (_Mil._ 1321
ff.). These all might be classed under either "farce" or "burlesque," but
they seem to come more exactly under the kindred head of "extravagance."
A familiar figure in modern farce-comedy is the comic conspirator with
finger on lip, tiptoeing round in fear of listeners. He finds his
prototype in _Trin._ (146 ff.):
"(_Callicles and Megaronides converse._)
CAL. (_In a mysterious whisper._) Look around a bit and make sure there's
nobody spying on us--and please look around every few seconds. (_They
pause and peer in every direction, perhaps creeping round on tiptoe._)
MEG. Now, I am all ears.
CAL. When you're through, I'll talk. (_Pauses and nods._) Just before
Charmides went abroad, he showed me a treasure, (_stops and looks over his
shoulders_) in his house here, in one of the rooms. (_Starts, as if at a
noise._) Look around! (_They repeat the search and return again._)
MEG. There's nobody."[119]
Another old stage friend is the detected plotter trying to lie out of an
embarrassing situation. He is lineally descended from Tranio in the
_Most._ Tranio has just induced his master Theopropides to pay forty minae
to the money-lender on the pretext that Theopropides' son Philolaches has
bought a house (659 ff.):
"TH. In what neighborhood did my son buy this house?
TR.


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