The west front contains a rich Norman door-way, surmounted by
three windows of the same style, adjoining each other, with a triple row
of the chevron-ornament above them. The interior wears the appearance of
remote antiquity: the arches are without mouldings, the pillars without
bases, and the capitals are destitute of all ornamental sculpture. In
fact, these portions are nothing but rounded piers; and so obviously was
mere solid strength the aim of the architect, that their diameter is
fully equal to two-thirds of their height. A double row of pillars and
arches separates the nave into three parts, of unequal width; and
another arch of greater span, though equally plain, divides it from the
chancel. In St. Julien, we observe a most simple exterior, accompanied
by an interior of comparatively an ornamented style: here the case is
exactly the reverse; but in neither instance does there appear any
reason to doubt that the whole of the building is coeval. We shall be
driven, therefore, to admit, that any inferences respecting the aera of
architecture drawn merely from the comparative richness of the style,
must be considered of little weight, and that, even in those days, a
great deal depended upon the fancy of the patron or architect.
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