The summit of the fountain is crowned by an image of the FATHER
ETERNAL, leaning forward to watch the Baptism of the SON by John the
Baptist. These figures are all in lead, as also are the innumerable
heads of the angels pouring out water from the three upper stages. The
exquisite composition is said to have been the work of an Italian
artist, and was given by Anne of Brittany.
The whole village scene is picturesque and striking. You feel at home at
once; it is marked by a certain refinement, a delicious quietness and
repose in which there is something singularly soothing. Lying in a
hollow, it seems to have carefully withdrawn from the outer world. It is
warm and sunny, and marked and beautified by a wealth of flowers.
Surrounding the churchyard are some of the small houses of this mediaeval
village.
The inn opposite the gothic gateway looks the very picture of
cleanliness and quiet comfort. Through an open window you see a table
spread with a snow-white cloth, a capital ensign for an inn, promising
much that is loyal. The whole of the exterior is a wealth of blossom,
roses and wisteria covering the white walls, framing the casements,
overflowing to the roof.
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