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Work Projects Administration

"Not Pretty, but Precious"



A village on the coast of Maine; in this village a boarding-house; in this
boarding-house a parlor.
This parlor is, strictly speaking, a chamber: it is in the second story,
and until lately it contained a bed, washstand, etc.; but a visitor from
New York has taken a fancy to change it to a reception-room. In the rear,
communicating with it, is a sleeping-closet.
The room is what you might expect to find in a village boarding-house: the
floor of liliuptian extent; the ceiling low, uneven, cracked and yellow;
the originally coarse and ugly wall-paper now blotched with age; the
carpet thin, threadbare, patched and stained; the furniture of various
woods and colors, and in various stages of decrepitude.
But a tiny bracket or two, three or four handsome engravings, two fresh
wreaths of evergreens, two vases of garden flowers, a number of Swiss and
French knickknacks, and a few prettily-bound books, give the little nest
an air of refinement which is almost elegance.
You judge at once that the occupant must be a woman--a woman moreover of
sensibility and taste; a woman of good society. Of all this you become
positive when you look at her, take note of her gracious manner and listen
to her cultured voice.
Her expression is singularly frank and almost childlike: it exhibits a
rapid play of thoughts, and even of emotions: it is both vivacious and
refined, both eager and sweet.


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