The introduction of the latter to the Duke affords an
opportunity for a fine graphic description, of which we subjoin a
specimen:]
The elder Philipson was shortly after summoned to the Duke's presence,
introduced by a back entrance into the ducal pavilion, and into that
part of it which, screened by close curtains and wooden barricades,
formed Charles's own separate apartment. The plainness of the
furniture, and the coarse apparatus of the Duke's toilette, formed a
strong contrast to the appearance of the exterior of the pavilion; for
Charles, whose character was, in that as in other things, far from
consistent, exhibited in his own person daring war, an austerity, or
rather coarseness of dress, and sometimes of manners also, which was
more like the rudeness of a German lanzknecht, than the bearing of a
prince of exalted rank; while, at the same time, he encouraged and
enjoined a great splendour of expense and display amongst his vassals
and courtiers, as if to be rudely attired, and to despise every
restraint, even of ordinary ceremony, were a privilege of the
sovereign alone. Yet when it pleased him to assume state in person and
manners, none knew better than Charles of Burgundy how he ought to
adorn and demean himself.
Upon his toilette appeared brushes and combs, which might have claimed
dismissal as past the term of service, over-worn hats and doublets,
dog-leashes, leather-belts, and other such paltry articles; amongst
which, lay at random, as it seemed, the great diamond called
Sanci--the three rubies termed the Three Brothers of Antwerp--another
great diamond called the Lamp of Flanders, and other precious stones
of scarcely inferior value and rarity.
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