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Quiller-Couch, Arthur Thomas, Sir, 1863-1944

"The Westcotes"


Dorothea admitted to herself that he made a decidedly handsome fellow
in his blue uniform with red facings and corded epaulettes; nor does a
uniform look any the worse for having seen a moderate amount of service.
"But Mademoiselle was in a--what do you call it?--a brown study, which
I interrupted."
"I was wondering why General Rochambeau had, not yet come to speak with
me."
"I can account for it, perhaps; but first you must answer my question,
Mademoiselle. Are you not dancing tonight?"
"That will depend, sir, on whether I am asked or no."
She said it almost archly, on the moment's impulse; and, the words out,
felt that they were over-bold. But she did not regret them when her
eyes met his. He was offering his arm, and she found herself joining in
his laugh--a happy, confidential little laugh. Dorothea cast a nervous
glance towards her brother, but Endymion's back was turned. She saw
that her partner noted the look, and half-defiantly she nodded towards
the gallery as the French musicians struck into a jolly jigging quick-
step with a crash at every third bar.
"_Mais cela me rend folle_," she murmured.
"Do you know the air? It's the 'Bridge of Lodi,' and we are to dance
'Britannia's Triumph' to it. Come, Mademoiselle, since the 'Triumph'
is nicely mixed, let your captive lead you."
Those were days of reels, poussettes, ladies' chains, and figure
dancing; honest heel-and-toe, hopping and twisting, hands across and
down the middle--an art contemned now, worse than neglected, insulted
by the vulgar caricature of "kitchen lancers"; but then seriously
practised, delighting the eye, bringing blood to the dancers' cheeks.


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